music festival attendance statistics 2019

Feel free to contact us anytime using our contact form or visit our FAQ page. 4, pp. 693-711. They both contain the aspect of communality: a strong sense of being a member in a like-minded community. 208-224. Future research should focus on a specific musical genre, going deeper into the festival career that combines two types of fandom: for festivals and a musical genre. 135,000 plus the potential for a further 7,000. (July 10, 2020). Particularly, fans of festivals of a certain musical genre share feelings of belonging (Rihova et al., 2015) that extend to strangers who have mutual musical interests. 439-459. In turn, their popularity allows people to signal that theyre a part of major cultural moments, as the ability to attend a music festival (and broadcast ones experience on social media) has become an experience that many covet. According to our findings, frequent festivalgoers are aware of the importance of their practices for festivals. ( UFI, 2020) The global virtual events market size was valued at $77.98 billion in 2019 and is expected to grow at a compound annual growth rate (CAGR) of 23.2% from 2020 to 2027. 1068-1079. This action might justify the festival's existence by empowered legitimacy through frequent festivalgoers' subjective contribution to the production (see Luonila et al., 2019), and foster attendance motivation among new festival audiences. Reysen, S., Plante, C. and Chadborn, D. (2017), Better together: social connections mediate the relationship between fandom and well-being, AASCIT Journal of Health, Vol. We cover all genres of music. 46 No. 43 No. A paid subscription is required for full access. 4, pp. Nonetheless, its approximately two million visitors in 2019 granted it a sizable margin to the roughly 750,000 festival fans visiting Polish Pol'and'Rock festival in 2019. The average number of festivals they attended in a year was 2. You need a Statista Account for unlimited access. In 2019, Ed Sheeran sold about 2.5 million tickets. We are happy to help. The features and practices of festival fandom and career development were studied using a qualitative approach with interview data. ", Elevent, Share of attendees at selected leading festivals and events in Canada as of December 2019 Statista, https://www.statista.com/statistics/1139010/festival-and-events-attendance-canada/ (last visited March 01, 2023), Share of attendees at selected leading festivals and events in Canada as of December 2019 [Graph], Elevent, July 10, 2020. The profile characteristics are in line with previous research conducted at Finnish music festivals (Kinnunen, 2018; Kinnunen et al., 2019a). 2023 TIME USA, LLC. and Caltabiano, M.L. This makes it easy to find new friends or bridge in Quinn and Wilks' conceptualization (2016) as social interaction with strangers is more acceptable than in the surrounding society. As music festivals have taken off in popularity, these kids of experiences have become a key feature of cultural life in America. 7 No. Jul 2019. Music festivals in 2018 were attended by 23% of Americans. For artists, appearing at music festivals is an easier way to make money than depending on record sales or long tours, says Rishi Bahl, a musician and marketing professor at La Roche College in Pittsburgh, Pa. As record sales saw a steep decline in the early- to mid-2000s thanks to the growth of digital music, artists began depending on touring to earn money. State of Play 28% are likely to mingle with their tent neighbours Festivals bring together people from all walks of life. As of March 2020, the exhibition and events industry had lost 14.4 billion euros (16.5 billion USD). Jones (2015) saw a postmodern music festival fan as a musical nomad who enjoyed the festival experience in general, not specific music per se. Advance tickets for 2019s Coachella sold out in about two-and-a-half hours, an hour faster than they sold out in the year prior, the Palm Springs Desert Sun reported. (2010), The event-tourist career trajectory: a study of high-involvement amateur distance runners, Scandinavian Journal of Hospitality and Tourism, Vol. As soon as this statistic is updated, you will immediately be notified via e-mail. ", Leading fee-based festivals in the Netherlands 2019, by number of visitors, Number of festivals in the Netherlands 2012-2020, Number of museum visitors in the Netherlands 2020, by collection type. Greene, J. Because listening to music has become practically free (or subscription-based), the access is unprecedentedand makes live music that much more special, according to Chirinos. Looking at the unique number of booked artists, the distribution is similar: out of 9,651 booked artists, 36.3% are Electronic, 16.0% Rock, 12.7% Pop and 11.5% Hip Hop. Fandom, on the other hand, might be developed through increased consumption or vice versa; increased consumption and career development might emerge because of fandom (Lexhagen et al., 2019; Mackellar, 2009). Most Super Bowl wins by NFL team 1967-2023, Average ticket price in the NFL by team 2021, FIFA World Ranking: top male soccer teams 2022, Athletic footwear global market share by company 2015, Health & Fitness Clubs - Statistics & Facts, Sporting goods industry in the U.S. - statistics & facts, Profit from additional features with an Employee Account. (2015) suggest that event attendees experience a sense of kinship and belonging that goes well beyond the scope of the event, and can propel them on an event career (p. 79). Sofia, on the other hand, set targets for her festival attendance. Traditionally, music is considered very important for adolescents (Schwartz and Fouts, 2003) but our study participants were adults, suggesting that for a certain group of people the meaning of music might remain high throughout their adulthood. In summary, music meant more to frequent festivalgoers and they also consumed more live music in general than casual festivalgoers, which can be interpreted as fandom for artists, musical genres, or both. Mackellar, J. Larsen et al. Nordvall, A. and Heldt, T. (2017), Understanding hallmark event failure: a case study of a Swedish music festival, International Journal of Event and Festival Management, Vol. 13 No. Frequent festivalgoers were open for social interaction to nurture the sense of community and belonging (see Social practices). Ticketmaster / 6th June 2019 Festival Finder State of Play Reading & Leeds is the most attended festival The sense of community is related to a festival-specific liminoid zone that is restricted by space and time (Getz, 2007). Smith, W.G. Memphis Grizzly fans attend an NBA playoff game . The interviews lasted from 40 minutes to 1 hour and 10 minutes (on average 51 minutes), and the total length of all the interviews was 6 hours 48 minutes. 5, pp. 35 No. A 2019 Deloitte survey of millennialsa group that makes up at least 45% of the 32 million people who attend music festivals finds that most value experiences: 57% of respondents said they. 211-220. Furthermore, a frequent festival attendee was aware that one had to be both relaxed and patient at festivals. Juxtaposing these concepts in the context of frequent music festival attendance helps understanding an important festival audience segment that is valuable for the festival atmosphere (Kim, 2004; Prentice and Andersen, 2003), and music tourism in general (Bolderman and Reijnders, 2017; Lashua et al., 2014). Future of the arts festivals: do the views of managers and attendees match? 2, pp. 1, pp. 1, pp. Impact of length of visit on the perceived benefits of music festival attendance. Strategically, frequent festivalgoers should be considered as crucial stakeholders, who might mobilize the co-creation of a sense of community or festival brand. D.Soc.Sc Maarit Kinnunen is a freelance festival researcher. Pearce, P.L. Getz and Andersson (2010, 2020), as well as Getz and McConnell (2011), tested the event travel career model among participants of different sports events and concluded that it contained the following dimensions: motivations, travel styles, temporal and spatial dimensions, and event and destination choices. Hinterland Music Festival is a multi-day music festival held at the Avenue of the Saints Amphitheater in St. Charles, Iowa, which was first held in 2015. People are more likely now to spend money on experiences over material goods, he says, contending that sharing a clip from a Billie Eilish or Cardi B performance with ones Instagram followers is more gratifying than buying something expensive. (2015), Visitor discourses on experiences: reasons for festival success and failure, International Journal of Event and Festival Management, Vol. Director (Community) The Mentoring Circle. Listening to live jazz: an individual or social act? With these demand dynamics, in 2019 we delivered growth in concerts revenue of 8%. Knowledge, on the other hand, was an essential part of music fandom but it was not present in music festival fandom in the same way as in artist or genre fandom, where knowledge was tested and sometimes even a prerequisite for respect and approval from other fans (Sinclair and Dolan, 2015). Are you interested in testing our business solutions? 2, pp. Location: Del Mar, California. 17 No. Benefits like enjoyment and pleasure were gained from attendance, also well-being and getting energy for everyday challenges through social festival experiences (see also Meretse et al., 2016). Loyalty has been a popular research subject in festival studies, and it has been mainly handled as a result of positive experience or satisfaction (Manthiou et al., 2014), not because of festival career development. You can only download this statistic as a Premium user. 468-491. Using several examples, our study demonstrates the importance of social dimensions in music festival attendance, revealing the role of the frequent festivalgoers as important and potential actors in the production processes of festivals and the development activities in the networked production contexts. AEG Live has helped to produce Coachella, Firefly and Stagecoach through ownership of the promoter Goldenvoice. (Australia Council for the Arts, 2010; Australian Bureau of Statistics, 2007). ZoukOut Festival Attendance: 45,000 Location: Singapore First Year: 2005 Featured Artists: Marshmello, DJ Snake, and Yellowclaw Source: wikimedia.org 164-181. Please create an employee account to be able to mark statistics as favorites. 38 No. 23-39. Then you can access your favorite statistics via the star in the header. 106, pp. Duffett, M. (2013), Understanding Fandom: An Introduction to the Study of Media Fan Culture, Bloomsbury, New York, NY. 18 No. The consumption of live music has increased both in Finland (OSF, 2018; Teosto, 2018) and internationally (Pitts and Burland, 2013). Performance is important in sports hobbies because of measurement and the desire to improve the results. 211-226. Campers organized activities like football and frisbee and all kinds of drinking games (Pekka), which made socializing and getting to know each other easier. Use Ask Statista Research Service, This question was phrased by the source as follows: "Have you ever attended the following festivals and events? In fandom studies, a specific code of conduct might be related to fan practices, as in the case of football fans (Jones, 2000; Kossakowski, 2017). 362-375. The quantitative data included results of the Finnish Festival Barometer web survey from the year 2016, altogether 3,322 responses. Interviewees were selected from those respondents of the Festival Barometer 2016 who had attended at least nine festivals a year and who had left their contact information for a possible interview. As the expertise increases, the reasons for participation involve higher needs just like in career models. Month Held: September. 19 No. Leisure career studies, on the other hand, concentrate heavily on sports events (Buning and Gibson, 2015; Getz and Patterson, 2013) as if career development in a hobby would require a measurable activity. THE VALUE OF EVENTS. Location: Kostrzyn nad Odra. Talking about the evolution of the festival field, Kinnunen and others (2019a) argue that Nordic festivals have moved from many kinds of voluntary-based productions to more professional, business-oriented productions (see also Amberla, 2013). It becomes a part of the culturenot just another event.. The final part of practices is appropriate behavior at festivals. Hence, the idol was not the object for fanaticism or social contact, but it created the circumstances and atmosphere that facilitated the sense of belonging between the members of the audience. (2013), Social worlds as a framework for event and travel careers, Tourism Analysis, Vol. This consideration implies that organisers could benefit from frequent festivalgoers' expertise and willingness to participate in the festival's development practices both in marketing and management. 1, pp. All Rights Reserved. Statista. Additionally, she conducts her post-doctoral research project in UNIARTS Helsinki, focusing on the network management of arts productions. As a Premium user you get access to the detailed source references and background information about this statistic. The most important theoretical contribution is that according to our findings in frequent festival attendance, both festival career development and festival fandom are most clearly present in motivation development and social dimensions. Apr 2021 - May 20221 year 2 months. Interviewees pointed out how festival behavior comprised a code of conduct one should follow so that other people should be considered. The shared affect facilitated communication and encouraged bridging (Quinn and Wilks, 2016). Demographics (age, sex, residence, education, employment, criminal history) 2. Fan practices include the production of fan culture, like writing fan fiction and communicating on the Internet about the fan interest, as well as consumption practices like collecting items related to fandom or attending events, and travelling because of it (Bolderman and Reijnders, 2017; Duffett, 2013, 2014). His Neighbors Sued Him, The Secret History of the Shadow Campaign That Saved the 2020 Election. 205-213. and Burland, K. (2013), Listening to live jazz: an individual or social act?, Arts Marketing: An International Journal, Vol. (2020), Social sustainability in adolescents' music event attendance, Sustainability, Vol. Patterson, I., Getz, D. and Gubb, K. (2016), The social world and event travel career of the serious yoga devotee, Leisure Studies, Vol. 19 No. For example, Nina who has been following festival performances of the pop artist Antti Tuisku for 1 years, explained that I like to attend his gigs but I do not have a need to meet him or discuss with him. 64-83. Interviewees were aware that their own behavior influenced others since the positive state of mind spread around the attendees. Live music attendees (including popular and classical music) are 23% more likely to report very good or excellent health. Jay Sweet, who heads the Newport Folk and Jazz Festivals, tells TIME the folk festival has managed to last so long by just focusing on itself. Where recent attempts to revive Woodstock have failed, Newport has continued in the spirit of bringing people together in a communal sense, Sweet says. Antti Honkanen is Director of the Multidimensional Tourism Institute (University of Lapland). This resembles characteristics of attachment and allegiance of the PCM (De Groot and Robinson, 2008). 2, pp. 52 No. daily and featuring the latest statistics from the media, Interviewees pointed out that they might attend a festival alone since they knew that there were friends and acquaintances they met only at the festival in question: There are acquaintances all around Europe. It is quite natural to presume that frequent music festival attendance might include many of the aspects included in the event travel career. Currently, you are using a shared account. Secondly, before and after the festival, frequent festivalgoers as festival fans could be engaged in the production as messengers who can take a role as influencers by sharing the festival's message and vision of consuming the festival experience for a wider audience and newcomers (Luonila et al., 2016, p. 477; see also Suomi et al., 2020). 1, pp. There is a scarcity of research scrutinizing both career development and fandom in the festival context within the same study (Kim, 2004; Mackellar, 2009). Thus, fans' performance (Duffett, 2013, p. 28) was part of the festival product, their behavior improved the product and consciously co-created the positive festival atmosphere. 2019. Max Yasgur Rented Out His Farm for Woodstock. Self-control included knowing when to drink and eat to avoid the need to go to the toilet in the middle of the best performance. 1, pp. This text provides general information. In numerous event motivation studies (see review by Li and Petrick, 2006), interests towards program, artists and atmosphere have been identified, but not the phenomenon of festival fandom per se. Attendance rates for people aged 15 and over living in greater capital cities were higher when compared with people living in other regions of Australia. The inaugural Maha Music Festival was held on Saturday, August 29, 2009 at Lewis & Clark Landing. In the country of 5.5 million citizens, the number of festivals per capita is noteworthy, Finns participate actively, and the contents of festivals represent various artistic genres (for example, music, theatre, film, dance, literature and fine arts). The proportion of males was higher among frequent (38%) than among casual (28%) festivalgoers. Sandelowski, M., Voils, C.I. (2004), The portable community: mobility and modernization in bluegrass festival life, Symbolic Interaction, Vol. When I started Four Chords, there were two other big [festivals], he says. 163-173. The social sustainability aspect is further attested by modified motives that are directed towards personal well-being. You only have access to basic statistics. This means that live music is an essential part of a frequent festivalgoer's life, like for Tiina who summarizes that I see the Finnish musical scene (laugh) so that the summer is predominantly the festival season and the winter is the time for club gigs and concerts. Anyone may reproduce, distribute, translate and create derivative works of this article (for both commercial and non-commercial purposes), subject to full attribution to the original publication and authors. Due to non-normality of variables, Spearman's correlation was chosen to assess the relationship between the number of festival and small concert (club, restaurant) attendances during the previous year. Secondly, planning took place a few days before the festival by packing enough but not too much and making a schedule of the performances to be followed. Pupil attendance stats began in September 2022 and past releases are available on explore education statistics. on two sectors: "Media and Technology", updated 172-185. Kinnunen, M. (2018), Total Festival Experience: A Mixed Methods Research Approach to Consumer Experiences in Finnish Cultural Festivals, University of Lapland, Rovaniemi. 29-40. Suomi, K., Luonila, M. and Thtinen, J. Attendance: 125,000 people. 403-428. and Fouts, G.T. When considering festival fandom, the importance and meaning of the fan interest music, festivals and festival experiences is vital. It is important to note that these studies are related to being an active sports participant (not a spectator); that is, a runner, cyclist and so on. Directly accessible data for 170 industries from 50 countries and over 1 million facts: Get quick analyses with our professional research service. Statistical methods used were chi-square, correlation and MannWhitney U-tests. Chart. Kinnunen, M. and Haahti, A. Here's State of Play: Festivals 2019. 4, pp. Source: wikimedia.org. In frequent festival attendance, both festival career development and festival fandom are most clearly present in motivation development and social dimensions. 1, pp. The purpose of the present paper is to compare features of career development and fandom in frequent festival attendance in the context of Finnish music festivals. Then they heard us speaking [Finnish] and we got acquainted since we let them into our camp.

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